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As a historian of South Asian art and architecture, Tillotson is clearly in a position to trace the building’s architectural form to its variously Timurid, sultanate and Indian roots. He also deals summarily with the historical and artistic controversies that have plagued the Taj since the nineteenth century, laying to rest such persistent ghosts as the duplicate-black-Taj-across-the-river theory, or the suggestion that the Taj’s craftsmanship, and more perniciously, its chief architect, were of Italian origin. Extracts from gushing travelers, grudging colonial historians and ranting Hindutva “historians” are woven expertly into a persuasive, measured narrative that pays as much attention to the building itself as it does to the reasons why it has been seen so differently by different people.
Finally, Tillotson provides a fascinating account of attempts to recreate the Taj Mahal in painting, photography and architecture, and a crucial chapter about the monument’s conservation, detailing the indignities it was subjected to by Jat marauders and British picnickers alike, the repairs and additions undertaken by Curzon and the more recent threat posed by the “Taj Heritage Corridor” project.
A slightly edited version of this review was published in Outlook Traveller magazine, December 2008 issue.
1 comment:
yes, an interesting take!
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